Tag: magic carpet

  • New Cloisonné Enamel Necklaces

    I finished these two cloisonné necklaces this afternoon. They are all on silver in silver settings. The Enamels for the two Magic Carpet necklaces measure 30mm. These are inspired by Magic Carpets, infused with memories and dreams of places visited and people known, in the past and in the future. I hope their new owners fill them with their own Magical Memories and Dreams. The other is part of my Mystical Domes series and is around 35mm in diameter. These are inspired by my fascination with domes, my love of the Brighton Pavilion, St Paul’s cathedral and the Mughal architecture I saw in Rajasthan, combined with stories of the mythical lands of Arabian Nights. One of the Magic Carpets is sold and the other will be coming with me to Farnham Festival of Crafts at the weekend. Unless anyone wants to buy it before it gets there of course!

    Magic Carpet Cloisonné Enamel necklaces
    Magic Carpet Cloisonné Enamel necklaces
    Mystical Domes Cloisonné Enamel necklace
    Mystical Domes Cloisonné Enamel necklace
  • Jyp’s Jewels – Ladybird Magic Carpet Pendant

    Jyp’s Jewels – Ladybird Magic Carpet Pendant

    Jyp DogIntroducing Jyp the dog, my faithful Workshop Apprentice and Chief Watch Dog. This year, following on from my occasional Blog Post series, ‘Jyp’s Jewels’ I have decided to make him a monthly feature. Every month, Jyp will present to you his favourite piece. I have insisted that he only chooses jewellery and not bones or balls!

    Ladybird Magic Carpet Pendant

    The first piece for 2016, is a custom ‘Magic Carpet’ pendant in one of my hand made silver moon settings. This was commission for a client who was giving it as a special birthday gift to a lady who loved Ladybirds.

    magic carpet pendant ladybird

    I had lots of fun designing it and you can see I have included flowers and leaves too. The piece is cloisonne enamel on fine silver, in a sterling silver silver moon setting. We decided to do just one colour and let the silver wire delineate the design, making it a more sophisticated piece than having it bright colours. The design has been highlighted with flecks of pure gold before rubbing down and finely polishing.

  • Cloisonné Enamel – The Making of my New Magic Carpet Pendant

    Cloisonné Enamel – The Making of my New Magic Carpet Pendant

    Cloisonné Enamel – The Making of my New Magic Carpet Pendant

    Cloisonné enamel is where fine wires are embedded in the enamel to create the design. There are a lot of different stages involved in making a piece using this technique and I decided to use my new Nimbus Cloud Dome to take pictures of the making of my new ‘Magic Carpet’ inspired Cloisonné enamel piece.

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    This shows the wires laid onto the base. In this case I am using fine silver foil on a copper base. I have used Soyer Silver flux over the foil and fired that before starting to add the wires. I have used fine silver and fine gold wires. They were fired into place in two separate firings as the design was too complicated to do all in one. I use Kyre-fire to hold the wires in place to go into the kiln.

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    This shows the first layer of colour fired into place. I have used a light blue under where the pink will go. I find that this helps the pink to fire a better colour.

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    This shows the second layer of colour that has been wet laid into the cells before it is fired. It is quite tricky where the design is complex to keep the colours separate. A good light and  the right glasses are essential!

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    Here the second layer has been fired. I am really pleased with the pink particularly.

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    Here I have added fine gold foils and painted oxides to the design. After firing I will then complete the enamelling with two layers of Blythes Medium flux. The two layers will be fired separately. If you apply it too thick it tends to go cloudy and obscure the colours. After the last firing I use a fine diagrit to rub all over the enamel to remove any excess. The aim is to achieve a level surface with no high spots or depressions. The latter show up as a shiny patch amid an otherwise matte surface. If necessary, I add more medium flux and refine and then repeat this stage. When all is flat and perfect I use a succession of wet and dry paper with lots of water to achieve a soft eggshell finish. I use Renaissance Wax to seal the surface and to protect it.

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    This is the finished piece before setting. There are hours of work involved to get to this stage.

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    The completed Cloisonné Enamel ‘Magic Carpet’ inspired enamel set in a sterling silver surround.