Linda Connelly Enamels

Category: Designing

  • New Enamel Jewellery Inspired by J.M.W,Turner’s Paintings

    New Enamel Jewellery Inspired by J.M.W,Turner’s Paintings

    This year there has been an amazing exhibition of Turner and Constable at Tate Britain, London. I was taken there as a birthday treat and it was utterly mesmerising. It’s on until 12 April so there is still time to catch it. Husband bought me the book so I can refer to it at any time.

    I have been focussing on skies and landscape more a more recently. The desire to look up and see the wonder above, rather than the increasingly awful reality on Earth has been both an inspiration and a comfort in these difficult times.

    Sketchbook page inspired by Turner skies

    I try to make Sundays a non-studio day and I often reach for my sketchbook and paints then to try and capture what is in my head , with a view to maybe translating some of them into enamel at a later date.

    Watercolours and gouache.

    Each enamelled piece starts with a piece of silver which I engrave by hand. Then there are many very thin layers of enamel, painstakingly applied, building up colours and tone. Each layer is fired for one or two minutes in my kiln before the next.

    Some of the stages of enamelling this small pendant.

    Here are some finished pieces.

    New small pendants and earrings inspired by Turner paintings
    Swans flying across a golden sky

    I would love to know what you think.

  • Pearl in the Adriatic – Enamel necklace inspired by Dubrovnik

    Pearl in the Adriatic cloisonné enamel necklace – Silver Award at Goldsmiths’ Craftsmanship & Design Awards 2026

    This necklace is inspired by a visit to Dubrovnik late last year. ‘Pearl in the Adriatic’ is the name often given to Dubrovnik, Croatia. The design is inspired by the view from the cliffs just outside the old town. The colours of the sea and vegetation combined with the textures of the foliage were absolutely breathtaking and I knew immediately I wanted to try and replicate it in enamel as a piece of jewellery.

    I studied the texture of the vegetation in order to try and replicate it in the hand engraved texture that comprises the Basse-taille technique.

    Sketch book Designs for Pearl in the Adriatic enamel necklace

    I explored different shapes in my sketch book before settling on the final design. I decided to use cloisonné for the agave leaves to bring them forward in the design.

    From photos and drawings in my sketchbook I engraved the silver to echo the foliage. I then used very thin layers of transparent jewellery enamel to colour the design, using the enamel like watercolours and adding tiny amounts with careful and painstaking placement. To finish the whole piece was ground and polished before making the silver setting and selecting the freshwater pearls that it is strung with. The finished piece carries the memory of that perfect day with the breathtaking view that the wearer can touch and enjoy wherever they are .

    Competition Success

    I was absolutely delighted when this necklace too won a silver award at the Goldsmiths’ Craftsmanship & Design Awards 2026. It nearly didn’t get finished in time and it was a real race against the clock. I knew as soon as I saw the view though that I wanted to make this necklace for this year’s awards. It was a huge challenge to finish it in time but I was determined to give it my all. Once I had completed the other necklace, Marsh Dawn that also won an award though!

    Success at 2026 GCDC Awards
    Pearl in the Adriatic enamel necklace Silver Award at 2026 GCDC Awards

  • Seahorse in Kelp Forest Pendant and Brooch

    Seahorse in Kelp Forest Pendant and Brooch

    Seahorse in Kelp Forest Pendant and Brooch

    I have long been interested in environmental issues and when I was tasked with making a piece for an exhibition entitled “Underwater Flora and Fauna”, I remembered hearing about Kelp Forests and I decided to investigate further.

    I learned that these are found all over the world but I was particularly interested to discover that they exist off the Sussex coast which is near to where I live. Kelp forests provide a vital habitat for a host of sealife, from tiny worms to young fish and help protect coastal areas from storm surges. Threats to them include climate change, pollution and over fishing. David Attenborough made a film for BBC South called “Save Magical Kelp Forests”. There is a campaign by Sussex Wildlife Trust highlighting this issue and I wanted to help by raising awareness. Jewellery has been used throughout history to convey messages and this piece follows  this tradition to help initiate conversations about the cause.

    Sketch book designs for Kelp Forest jewellery

    I began by making lots of drawings to decide the shape and the design. The first piece I made was a smaller pendant measuring 40mm x 26mm. This enabled me to try out the colours and the design before I committed to a larger piece of silver.

    Small Seahorse in Kelp Forest pendant

    I wanted to make the next piece able to be worn both as a brooch and a pendant. This makes it more versatile and adaptable, plus brooches/badges are particularly associated with messages and protest. It took a lot of planning to ensure the shape worked for both, as well as working to help create the illusion of depth to the sea. Here is the design I chose to make.



    Seahorse in Kelp Forest Pendant/brooch

    The enamel comprises fine gold and fine silver cloisonné on basse taille fine silver, set in a bezel with jelly fish on the back. There is a loop for a chain and a double pin brooch fastening. The pin fastening can be used as a stand to display the piece when it is not being worn. It measures 56mm x 28mm.

    Seahorse in Kelp Forest Pendant
    Reverse of Seahorse in Kelp ForestBrooch/pendant
    Seahorse in Kelp Forest Pendant/brooch on display

    I am planning for this to be part of a new series of pieces entitled “Let’s Talk”. There are too many instances of individuals, businesses and governments quietly getting on with polluting our planet in pursuit of profit, without a care for the consequences. “Let’s Talk” will be a range of pieces designed to promote conversation about environmental issues and to raise awareness. With knowledge and coming together there is a real hope that we can work together for the good of nature and to promote a better, healthier future for us, our children and for generations yet to come. Knowledge is power and we can use it to work together for a better future.

  • Dragonfly Pendant Commission

    Dragonfly Pendant Commission

    Before Christmas I was very excited to be asked to design and make a silver and enamel Dragonfly Pendant. I worked with the client over several months to produce the eventual design. It is always a huge honour to be asked to make something special like this which hopefully will become a family heirloom of the future. Here are some photos of the work in progress.

     

    Pierced, etched and engraved silver ready for enamelling

    First layer of enamel has been carefully wet laid in place and is ready for firing

    First layer of enamel has been fired to orange peel

    Second layer of enamel has been wetlaid and then fired to continue building up shading and depth of colour

    The Pendant has had several more layers of enamel and now is ready for the final stages. The surface will be meticulously ground until it is even and Matt, before being polished with diamond pads. In this case I chose to have the enamel surface an eggshell finish.

    Here the Pendant is complete with the silver polished to a subtle shine.

  • Jyp’s Jewels – Ralphs Cross Cufflink Commission

    Jyp’s Jewels – Ralphs Cross Cufflink Commission

    Jyp Dog

    Introducing Jyp the dog, my faithful Workshop Apprentice and Chief Watch Dog. This year, following on from my occasional Blog Post series, ‘Jyp’s Jewels’ I have decided to make him a regular feature. Every month, Jyp will present to you his favourite piece. I have insisted that he only chooses jewellery and not bones or balls!

    Ralphs Cross and Roseberry Topping Cufflink Commission

    Ralphs Cross and Roseberry-Topping-Cufflinks
    Ralphs Cross and Roseberry Topping Silver and Enamel Cufflinks

    Earlier this year I was privileged to be asked to design and make a pair of silver and enamel cufflinks by a lady as a wedding present for her fiancee. Her late Father in law had been an artist who had worked in the North Yorkshire moors and often used Ralphs Cross and the hill, Roseberry Topping in his pictures. I decided to do the cross in cloissonne enamel and to use the distinctive shape of the Roseberry Topping Hill as the fitting for the reverse. I was delighted with how they turned out and so was my client. She said, ‘They are stunning. What a perfect service you have provided. I was very lucky to find you!’ It is always a real thrill when a customer is happy with your work and vision.

  • Jyp’s Jewels – Ladybird Magic Carpet Pendant

    Jyp’s Jewels – Ladybird Magic Carpet Pendant

    Jyp DogIntroducing Jyp the dog, my faithful Workshop Apprentice and Chief Watch Dog. This year, following on from my occasional Blog Post series, ‘Jyp’s Jewels’ I have decided to make him a monthly feature. Every month, Jyp will present to you his favourite piece. I have insisted that he only chooses jewellery and not bones or balls!

    Ladybird Magic Carpet Pendant

    The first piece for 2016, is a custom ‘Magic Carpet’ pendant in one of my hand made silver moon settings. This was commission for a client who was giving it as a special birthday gift to a lady who loved Ladybirds.

    magic carpet pendant ladybird

    I had lots of fun designing it and you can see I have included flowers and leaves too. The piece is cloisonne enamel on fine silver, in a sterling silver silver moon setting. We decided to do just one colour and let the silver wire delineate the design, making it a more sophisticated piece than having it bright colours. The design has been highlighted with flecks of pure gold before rubbing down and finely polishing.

  • Pets on Jewellery

    Pets on Jewellery

    I have been working on a new idea. Cufflinks for my husband with our dog Jyp on. They are cloisonne enamel on fine silver, set in hallmarked sterling silver cufflinks and they measure 14 mm in diameter. The idea would also work well as earrings or as a pendant too. Each side could have a different pet on or as here, a motif with the pet’s name. I plan to offer them as a commission piece.

    Jyp-Cufflinks

    Jyp-cufflinks-box

    Jyp-dog

  • Getting Started and the Design Process

    Getting Started and the Design Process

    This morning’s blog post by Grace Marshall http://grace-marshall.com/starting-badly/ really resonated with me and I have to share it because it is a problem familiar to most artists and designers. I had a design to do for a client that was a little out of my comfort zone. I did some preparatory sketches some time ago and it has been sitting waiting for me to get back to it. A few weeks ago I spent some time on Pinterest making a board to help whilst I was sitting watching telly one evening. I was ready to start but whenever I have some time, somehow I always found something else to do, like actually making something in my studio. Mother’s Day afternoon was a perfect opportunity. It was wet and dismal so husband and I divided the dining room table in half. He did what he wanted to do on one half, and I set myself up with pens, pencils and the chocolates my son had bought me. As I always tell my students, starting is the hardest thing. It is so true. I had been putting it off until I could see the finished design in my mind but it wasn’t happening. I needed to actually work through things with paper and pens to get to where I wanted to be.

    To start with, I sketched elements that were troubling me from the inspiration board on Pinterest that I had made. I did this from my iPad. Then I incorporated elements into drawings I had already made. When I work on designs I repeatedly trace them, incorporating changes each time. This time I used the scanner on my printer which saved a lot of time as I just needed to draw on top of the last print and then trace that and repeat the process. Over the course of the afternoon the design evolved into something I am really pleased with. I also used the scanner on my printer to change the size. Eventually I was pleased with my design and I could add colour. I feel such a sense of achievement! I can’t wait to show my client. Hope she likes it. Let me know how you get over the problem when you are stuck. I would love to know and perhaps we can learn from each other.